Where can i watch lockdown 2017

Learn how to access the full library. Toggle navigation. Lockdown - - Netflix 1h45m -. Director: - Cast: - Netflix Rating: 3. Available Since: Similar Titles: m -. Legal Disclaimer This website is not affiliated with, endorsed by or sponsored by Netflix in any way.

This site does not represent Netflix or Netflix in Australia. The last episode of this too-short season sees the sisters dealing with a looming COVID lockdown in Britain, but not really taking it seriously. This Way Up gets bonus points for cheering my teenager after long days of homeschooling. Read: Ambiguity, archives and the 80s. An interview with Michael Lucas. The Newsreader is at its best when it conveys the mingled stress, thrill and intimacy of working closely and creatively under pressure.

And if you like this series, there are four seasons on SBS On Demand; it will keep you going for a while. This one is set in the world of the s personal computer revolution and the early growth of the world wide web.

Not everyone loves this, and it took me a couple of episodes to commit, but as our reviewer Anthony Morris wrote over at SBS, this is one of the best dramas you may never have heard of.

In the first season, this formula seemed like a weakness; as Halt and Catch Fire progressed, it rapidly became a strength. It became a show about underdogs, always striving for more.

Hacks has been recommended by multiple sources and I loved its fresh take on an old genre: the odd couple comedy. This one is intergenerational, and feels very relevant right now. Hacks is about an ageing Las Vegas standup comedy star Jean Smart and the disgraced Millennial writer Hannah Einbinder foisted upon her by their shared agent Carl Clemmons-Hopkins to update the tired, politically incorrect material.

Einbinder plays her character with vulnerability as well as a sense of generational entitlement. Watching these two professionals come to blows, and then to the realisation that they need each otherand have a lot in common, is a pleasure. As with all great comedy, there's some sadness and grit at its core that grounds the laughs in a relatable drama. James Rolleston, as the boy struggling to understand his feckless wanna-be-gangster Dad, gives an astonishing debut performance. Boy is funny as hell, still.

But it is also a quietly heartbreaking film to stop and think about. I guess that's why it's ageing so well. Florian Habicht is a documentary maker like no other. His Kaikohe Demolition is still, hands down, one of my favourite local films ever — and it's on Docplay. James and Isey are a son and mother, living in Habicht's beloved far north.

Habicht met them while he was casting local personalities for a TV commercial, having walked away from documentary making for a more stable and sustainable career. But, with Isey about to turn and James trying to organise the entire town into throwing the party of a lifetime, Habicht figured this was a story to good not to be told. One of the best films of Seventeen years after it's release, Brad McGann's film of Maurice Gee's novel is still a compelling and perfectly calibrated watch.

McGann reset Gee's story in the present day and shifted the action to Central Otago, all of which worked beautifully. Times are changing. Watching this now is a totally different experience than what it must have been like watching it back in The fact that many countries actually have various degrees of lockdowns makes this a weird movie to watch. Especially with what our main character is being told to. Of course this being fiction and not in all prophetic, the weirdness is just a short noise.

You might not even notice at all. Overall it is a decent story told about spying, about relationships and about the human psyche. How far are some willing to go and what is this all about? Who's good and who's bad? Everything is on the table or bed or chair for that matter Details Edit.